What I needed, of course, was a context that would make sense of thedescriptions, providing a reason for presenting them to the reader and asignificance for the descriptions themselves that goes beyond meredescription for its own sake. I found the solution in envisioningsomeone examining the photographs that I describe. The owner of acuriosity shop, he has come to a supplier to purchase post cards for hisstock. Each of the descriptions is of a post card that he considers,but, of course, this information is withheld from the reader (to maintainintrigue, if not suspense) until the end of the narrative. I will alsodelete the designations, "Image 1" through "Image 6," supplying, in theirplace, transitional sentences such as "He points out another image for meto consider," "I take another of the photographs in hand, to examine it,"or "He hands me the picture that he considers the best of the lot."Then, following the sixth description, I will include the followingexplanatory statement: . ’ ‘Let me know when you are good to go.’ Anderson resisted the urge to drag her off the sofa and back into his bed. He needed to play this cool if he was going to get what he wanted. Anderson had all the incentive he needed after Farida’s admission and, of course, it was a bonus that she liked role play. If role play made things easier for her, then so be it. All in all, he was in a very good mood. He would’ve classed himself as ecstatic if Marnie hadn’t disturbed him. But he’d deal with her tomorrow, after the weekend with Farida was over. He wasn’t going to get bogged down with that particular minor detail. ‘Shall we go back to bed then?’ Anderson asked. ‘If you want to stay up and talk, though, that’s fine, too,’ he added. It genuinely was okay if that’s what Farida wanted. Suddenly, for Anderson, her compliance wasn’t enough. He wanted her to want him. He wanted her to instigate some act, even if it was only something small. Farida, for her part, was feeling strangely content..
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