Yet life went on. Since everyone was a survivor, the word and the concept disappeared from the culture. Life went on.For the new generation, the energies of the day were directed at dismantling the great civilization that had immolated itself. Reclamation and recycling of all of the detritus was an economic boom. Science and industry had continued forward in fits and starts through the decades, and solutions proposed fifty to seventy years ago came to fruition, just a few decades too late for most of the population. The end result was a world government, a planetary language called Uni-verse, no great religions, and a lot fewer people.Jeremy sat back in his chair night after night with a sense of incredulity. Everybody knew this but him. His world had been completely two-dimensional. He had had no clue that the sugarcane fields where he had awakened were controversial, being so far inland and retarding the rain forest. The library where he had learned to read again was a historical. We cannot tell. Anyway, turning to the original painting - the sample as it were. On consulting our archive, we have uncovered an entry in the diary of a contemporary of Michelangelo. One Venuccio de Lambra. He was a sculptor and painter who worked alone and also worked for Michelangelo on some important jobs…” I didn’t like the way this was going. I had never heard of Venuccio de Lambra, no disrespect to him, but was preparing myself for the news that my painting was by him. “… I will translate an entry from his diary on the day of November 3, 1512. ‘Astonished and grateful beyond measure. Simoni today gifted us with the portrait of Our Lady and Christ for the birth of our treasured little son, Venuccio.’” “Who is Simoni?!” I blurted out. “Michelangelo,” said Giorgio. “Oh of course, sorry.” “Yes,” added Valeria. “His closest friends and associates knew Michelangelo by his last name as a mark of respect.” “Oh! So Michelangelo just gave this painting to his friend?” “So it would.
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